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TRADITIONS AND LEGENDS

Due to its long and tortuous history Malaga is rich in processional legends and traditions.

CRISTO DE LA SANGRE

In a city with such a maritime tradition as Malaga, there had to be a legend linked to the fishermen. According to the story, a group of fishermen were at sea fishing off their boat when they were surprised by a sudden storm and, unfortunately, the waves swept them away from the coast. Despite all their efforts they were unable to control the boat and get back to land. Under menacing black clouds and in the midst of enormous waves they entrusted their souls to the Lord, sure that their end was near. However, following their prayers a ray of light lit the Heavens and the waters calmed in the middle of the waves, place in which the sculpture of a Christ Crucified appeared. The seamen immediately steered their boat towards the image, which they rescued from the sea and saw that blood was flowing the side. The storm finally blew itself out and they were able to return to land safe and sound and with the image of Christ Crucified, which was taken to the old Convent de la Merced, where it has been venerated since as the Cristo de la Sangre (Christ of Blood).

THE PARDONED PRISONER

It is said that in times of Charles III a serious epidemic of plague struck the city and a great many people died. Those who did survive where so weak that it was almost impossible for them to hold the processions to implore for the end of the epidemic. However, one of the places where the disease had struck with less virulence was the prison and the prisoners, knowing what was happening outside the walls that held them captive, asked the prison governor for permission carry in procession the image of Christ named Nuestro Padre Jesús "El Rico" . When the authorities refused, based on the well-founded fear that the prisoners would take advantage of the occasion to escape, these decided to rebel and fulfil their promise to carry out the procession as requested. When the procession had finished all of the prisoners returned as promised, except one, who came back the next day with a sculpture of the head of St. John the Baptist Beheaded, which he placed beside the bed of a cellmate, who was ill. The prisoner, just like the rest of the population of Malaga, recovered a few days later. The King, moved by the generous action of the prisoners issued a Decree by which, every year during the procession of Jesus el Rico, a prisoner would be set free. This tradition has been conserved to our days and HM King Juan Carlos I continues to sign the Pardon each year, the freed prisoner accompanying “El Rico” in its procession through the streets of the city, following a ceremony at Government Offices in which the Pardon is read and, more importantly, the prisoner receives the blessing of Our Father Jesus “El Rico” , for which purpose the sculpture’s right arm is articulated.

ZAMARILLA THE BANDIT

The story goes that in the times of bandoleers, one of the bandits nicknamed “ El Zamarilla ” was particularly notorious. His misdeeds were many and such was his renown and so dangerous was his band that the bailiffs decided to form a posse and capture him at whatever price. After a number of skirmishes they managed to corner him but “ El Zamarilla ”, rapid and slippery as an eel due to his knowledge of the land, managed to escape, though with the patrol in hot pursuit. After galloping for many leagues with the bailiffs hot on his heels, the bandoleer reached a sanctuary chapel in search of a place to hide. As it happens the only place he could find was under the cape of a figure of a Virgin Dolorosa that was worshipped there. The bailiffs arrived and though the searched the whole chapel from one end to the other, none of them discovered “ El Zamarilla ” in his original hiding place. Desperate and furious they left to comb the area. A little later, feeling safe, the bandit left his refuge and in improvised thanks for having saved him, he broke off a white rose that grew by the side of the path and pinned it on the breast of the figure, using his own dagger to hold it. At this moment the rose turned scarlet. Terrified, the bandit knelt before the image of the Virgin, begging pardon for his wrongful life and from then on “ El Zamarilla ” became a hermit, coming down from the hills only to visit his beloved Virgin. On one of these occasions he himself was attacked by bandits and though “ El Zamarilla ” still had the vigour of his youth and he put up a fight, he was mortally wounded by one of them before they fled. With great difficulty he managed to reach the door of the sanctuary, carrying in his hand, as he always did, a red rose to offer the Virgin. Before he died his eyes turned towards the Virgin and then he saw that the rose he carried in his hands had turned white. She had pardoned him. Today, Our Lady Virgen de la Amargura continues in the sanctuary called Zamarrilla , She continues to wear a red rose held with a dagger, except on Good Friday when She wears a white rose, pardoning all Mankind for the death of her Son.

ASCENT TO MONTE CALVARIO

Next to the Santuario de la Victoria, beginning in calle Amargura, there is a small rise topped with a sanctuary, which the people of Malaga call Mount Calvary. Every Friday during Lent, a Via Cruces is organised that leaves from the San Lázaro Church and re-enacts the fourteen Stations of the Cross. The reason that it leaves from San Lázaro is because the processional brotherhood of Nuestro Padre Jesús Nazareno de los Pasos en el Monte Calvario (today known by the name of its Virgin, María Santísima del Rocío ) has organised for many years now the Official Stations of the Cross procession in Malaga, with the first Station being precisely that of San Lázaro. Each participant in the Via Cruces carries fourteen stones, which symbolise fourteen sins. The stones are left at each Station, where the corresponding sin is read, symbolising the discharge of sins following repent. The Via Dolorosa finalises at the Sanctuary of the Calvary, headquarters of the processional Brotherhood that bears the same name.

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